https://www.guankanjournal.art/journalessays daily 0.75 2025-12-30 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/5140522f-54e6-4ca5-a749-1759c2373814/new%2B%E8%A7%82kan.jpg https://www.guankanjournal.art/journalessays/hitting-the-edge-of-the-pingpong-table-an-interview-with-wang-qingsong monthly 0.5 2025-12-30 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/dd810073-cc3a-4792-83f2-100dd8b92f82/IMG_9530.JPG Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qingsong discussing his work at UWA’s Cullity Gallery, 2025 Photograph taken by author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/339deb62-47ec-43b6-a53e-8fcb3b67cf98/original_wang-qingsong-dormitory-170x400cm-2005-jpg.jpg Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qingsong Dormitory (2006) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b1abec95-7e5a-4e79-a53e-5de982e3813b/qingsong_3.jpg.webp Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qingsong Dream of Migrants (2005) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b42254a5-0e31-4704-a152-7c81bc13b519/WangQingsong_Work_Work_Work_2012_copyright_Wang_Qingsong.webp Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qingsong Work, Work, Work (2012) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/ca14b3e9-6f68-4758-92e6-4d685a6298c9/Wang-Qingsong-The-blood-of-the-World-min.jpg Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qingsong The Blood of the World (2006) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/7c976619-1b44-406b-9ba7-edecac6c35ed/2013.122+wang+qingsong%2C+follow+you.jpg Journal - ‘Hitting the Edge of the Pingpong table’: An Interview with Wang Qingsong - Make it stand out Wang Qing Song Follow You (2013) https://www.guankanjournal.art/journalessays/art-spaces-in-flux-the-balancing-act-of-798-art-district monthly 0.5 2025-09-07 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/ef9e4be7-b204-4ae7-953d-b5fd4fb2e381/Screenshot+2025-08-19+at+4.17.25%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Make it stand out Birds eye view of 798 District, 2008. Photograph courtesy of Ren Shulin. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/850adada-bbe7-4d53-bbbf-043134d17ef7/Screenshot+2025-08-19+at+4.51.11%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Make it stand out Architecture of 798. Photographs courtesy of Mei Yuangyi and Jennifer Currier. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755594242833-AAREIU9488S4AHFHYSSJ/Screenshot+2025-08-19+at+4.19.34%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District “Tui Transfiguration”, site specific exhibition 1993-2003. Photograph courtesy of Rongrong & inri. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755594324396-QG72O8ORWY72DT9SJEOW/Screenshot+2025-08-19+at+5.04.57%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District Installation by Yin Xiuzhen, for “Left Hand, Right Hand” exhibition 2003. Photograph courtesy of Li Wei. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755594169174-SBF17P7DTZH6AEGSPRYN/Screenshot+2025-08-19+at+4.55.57%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District "What is Mono-Ha?", exhibition 2007. Photograph courtesy of Beijing Tokyo Arts Project. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755595648981-KJKZO4KJXWPADP285NL1/Screenshot+2025-08-19+at+5.26.23%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Yue Minjun "Salute", 2005. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755596970464-Z2EKBMVBP8C806SUMVUJ/Screenshot+2025-08-19+at+5.43.30%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Fang Lijun, "Series 2. no 3", 1992. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755595720269-9NVAS0UR02MGQ0934P64/Screenshot+2025-08-19+at+5.28.24%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Yue Minjun "On the Lake", 1994. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755597549712-X6KN15D1JQO53BFFPGZ5/Screenshot+2025-08-19+at+5.58.53%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Fang Lijun, "Series 2 no.10", 1992. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755595659176-D5KFX8G6O3B1KDU7HAW8/free+and+at+lesirue+10.jpg Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Yue Minjun "Free and Leisure no.10", 2003. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755597456344-9H4TOQOS17L5FTM8U8G5/fang+lijun.webp Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Fang Lijun, "Series 2 no.4", 1992. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/61884238-d18f-4bc1-ab62-b047bf5620a8/Screenshot+2025-08-19+at+6.06.02%E2%80%AFpm.png Journal - Art Spaces in Flux: The Balancing Act of 798 Art District - Make it stand out Wang Guangyi, Great Criticism series, 1992. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755598065473-LHV0RFYOEUSGBPH7BAVX/att.PuG_oFbXq_6CHjZso-Opjp2G_Zw-PEl7Pl_HisM9lvk.jpg Journal - Art Spaces in Flux: The Balancing Act of 798 Art District 798 as of 2024. Photograph courtesy of Kye Fisher. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755598063875-QKO097K9PDXWRTT8O1HA/att.4z0U92UK2orJCkk8tEpulzvf9PKbM_qmHmtn-J6AqzE.jpg Journal - Art Spaces in Flux: The Balancing Act of 798 Art District 798 as of 2024. Photograph courtesy of Kye Fisher. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755598210486-VZ37WHI3FJHR6IZ6KKBK/att.-JgEZlDi9feGW1fygS4vUljrCg4MNEEVRwOPwrzSIh8.JPG Journal - Art Spaces in Flux: The Balancing Act of 798 Art District 798 as of 2024. Photograph courtesy of Kye Fisher. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1755598068478-DKIK6U732BINNGHNX9QQ/att.wLF2Mc-8nQq1-CvuTlPGE22No4x398Islw-mS4tgJJ0.jpg Journal - Art Spaces in Flux: The Balancing Act of 798 Art District 798 as of 2024. Photograph courtesy of Kye Fisher. https://www.guankanjournal.art/journalessays/because-were-equal-an-interview-with-liu-zheng monthly 0.5 2025-08-19 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/83544c54-7d92-4008-8868-f025c3cedc12/PHOT-liu-zheng-11.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Two Homless Boys, Beijing (1998) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/fea80979-2240-4314-b4d4-4a485c8aec10/PHOT-liu-zheng-21.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng An Old Peking Opera Actor Playing a Female Role Beijing (1995) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/399f1d85-e161-4595-9179-b6bfe59f7cc7/PHOT-liu-zheng-13.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Convicts Fetching Water, Baoding, Hebei Province (1995) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/280a3c26-0498-46f6-82ed-cca83980ab7f/PHOT-liu-zheng-22.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Coal Miner, Xinjiang Province (1996) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/22532ca2-c279-4a0c-ada5-1e7dd9ca4776/PHOT-liu-zheng-16.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Waxwork: Emperor and Girl in Fornication, Changping, Beijing (2000) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b97eb14d-6d19-4124-bfad-f39eb15061e9/PHOT-liu-zheng-7.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Three Women at a Country Funeral, Longxian, Shaanxi Province (2000) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/ded522f9-afd2-4e7e-ab56-65279a29c480/PHOT-liu-zheng-15.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Xinjiang Girl Working in a Textile Factory, Hetian, Xinjiang Province (1996) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/c77d9d7f-8aae-45e4-8ab1-278612942e72/PHOT-liu-zheng-12.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Actors in a Film about the War Against the Japanese, Lugou Bridge, Beijing (2000) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/cbaaa47f-7f78-47bf-a308-1e0e7ea0e1b8/PHOT-liu-zheng-6.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Three Elderly Entertainers, Beijing (1995) https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/cfc78f5e-fc91-4290-8390-b89a995f93fe/yossimilo-liu-zheng-rural-peasant-yanan-shaanxi-province-from-the-series-the-chinese-2000.jpg Journal - “Because we’re equal”: An interview with Liu Zheng - Make it stand out Liu Zheng Rural Peasant, Yanan, Shaanxi Province (2000) https://www.guankanjournal.art/journalessays/rqz1bozxt09kfhym7sjr7b8pkwg5il monthly 0.5 2026-01-19 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b60aff08-1bb4-40a0-a64c-a54a64e6399e/2.+Guo+Jian%2C+Untitled+No.1+%28%E6%97%A0%E9%A2%98+1%E5%8F%B7%29%2C+2024%2C+Acrylic+on+canvas%2C+200+x+300+cm%2C+White+Rabbit+Collection%2C+Sydney%2C+NFS.jpg Journal - How (Not) to Read Playboy: Interview with Guo Jian, John McDonald</span> and Maggie Wu - Make it stand out Guo Jian, Untitled No. 1 (2024), Acrylic on Canvas, 200× 300cm. White Rabbit Collection, Sydney. Image Courtesy of Rochfort Gallery https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1579f16f-0243-4146-947c-3adbb5071dd8/download+%283%29.jpeg Journal - How (Not) to Read Playboy: Interview with Guo Jian, John McDonald</span> and Maggie Wu - Make it stand out Gallery Space. Left to right. Guo Jian Untitled No. 8 (2009), Oil on Canvas, 152× 213cm; Guo Jian Untitled No. 5 (2007), Oil on Canvas, 152× 213cm; Guo Jian, Trigger Happy No. 9 (2008), Oil on Canvas, 152× 213cm. Image Courtesy of Rochfort Gallery. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/75ca562c-346b-4611-b181-c3ebd7609c9b/Guo+Jian%2C+Playboy+No.1%2C+2025%2C+Acrylic+on+canvas%2C+61+x+46+cm.jpg Journal - How (Not) to Read Playboy: Interview with Guo Jian, John McDonald</span> and Maggie Wu - Make it stand out Guo Jian, Playboy No. 2 (2025), Acrylic on Canvas. 61×46cm. Image courtesy of Rochfort Gallery. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/24cddfe9-3ef5-4517-ade6-e89f606267b5/download+%282%29.jpeg Journal - How (Not) to Read Playboy: Interview with Guo Jian, John McDonald</span> and Maggie Wu - Make it stand out Gallery Space, 2025, Image Courtesy of Rochfort Gallery. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b44da3cf-27a3-4458-ad01-31b5819b86ee/Guo+Jian%2C+Untiltled+No.+2%2C+2025%2C+Acrylic+on+canvas%2C+126+x+177+cm.jpg Journal - How (Not) to Read Playboy: Interview with Guo Jian, John McDonald</span> and Maggie Wu - Make it stand out Guo Jian, Untitled No. 2 (2025), Acrylic on Canvas, 126× 177cm. Image courtest of Rochfort Gallery. https://www.guankanjournal.art/journalessays/accelerationism-and-positive-thinking-after-beijing-realism monthly 0.5 2025-04-30 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/7868c1a1-68ba-4246-bed6-a5bd1c266e02/Promo+beijing+realism.jpg Journal - Accelerationism and Positive Thinking after Beijing Realism - Make it stand out Tami Xiang, Lucky 88, (2019), Beijing Realism Exhibition. Image by Goolugatup Heathcote. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/39cb3a96-b356-45a1-91fc-2108dbe58ad1/beijing+realism.jpg Journal - Accelerationism and Positive Thinking after Beijing Realism - Make it stand out Li Xiaofei, My Locker + Sisters Still, (2018), Beijing Realism Exhibition. Image by Goolugatup Heathcote. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/f96c7160-b0b0-41c3-bcfc-37ad2554a68c/2019+poster+advertising+student+trip+to+China.jpg Journal - Accelerationism and Positive Thinking after Beijing Realism - Make it stand out Darren Jorgensen, Promotional poster for 2024 student tour to China which caused offence, featuring the likeness of Ai Wei Wei and Xi Jinping. 2024. Image courtesy of Darren Jorgensen. https://www.guankanjournal.art/journalessays/he-chengyao-and-chen-qingqing-art-practice-as-a-method-of-healing monthly 0.5 2025-04-30 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/cb14f1b1-6e60-4dcf-b1b9-80864affe645/IMG_8958.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out Chen Qingqing, The New Allegory of Home, 2023 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b6978b5b-cd39-4844-a336-9c5547c652f3/7418743416_851657cd89_z.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out He Chengyao, Opening of the Great Wall, 2001 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/dd93cc99-0a5d-4741-befb-9aba3ad18706/IMG_9822+2+%281%29.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out He Chengyao, Mama and Me, 2001 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/68392fbd-4176-4ae4-b366-6e2d67051a85/IMG_9827+%281%29.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out He Chengyao, 99 Needles, 2001 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/5be00cc9-455f-4abf-bcbb-a5f1759f388d/IMG_8963.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out Chen Qingqing, Listen to Mom Talk, 2012 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1740968232967-JTTQ9MKLMK67LAHRZQX8/MagicEraser_240723_220942.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Chen Qingqing, Life hanging by a thread, 2010 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1740968275169-WHWYBH8P3S1E9C9T4IQI/MagicEraser_240723_221001.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Centre:Chen Qingqing, Cultural Operation, 1998 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/1740968299331-73RHJH13IX1WYEHWT10P/MagicEraser_240723_220916.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Right: Chen Qingqing, Dialogue – The State of Two Creatures, 1999 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/e4921780-4104-4574-b450-b03da4be2b85/IMG_8956.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out Chen Qingqing, Fantasy Museum, 2024 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/cd04348c-35fa-44f0-8b99-549fc5a8e558/IMG_8982.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out Chen Qingqing, My Childhood, 2012 Photo courtesy of author https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/a0d4f946-b227-4c5a-9c5f-eb2576fc87ca/IMG_9004.jpg Journal - He Chengyao and Chen Qingqing Art Practice as a Method of Healing - Make it stand out Chen Qingqing, My life full of colour, My life riddled with holes, 2018 Photo courtesy of author https://www.guankanjournal.art/journalessays/l5adnk3q4a13ivldvxoyi4zohdj0q3 monthly 0.5 2026-01-19 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/d466cad7-0e22-4d46-abf0-b3d191110655/licky+lick.png Journal - Pain and Performance: Interviewing Cang Xin - Make it stand out Cang Xin, Communication Series IV, 2002. Image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/53bfd810-c2ac-4d84-b388-83353508f871/Untitled-10.width-1200.jpegquality-70.jpg Journal - Pain and Performance: Interviewing Cang Xin - Make it stand out Cang Xin, Exchange Series, performance during the 13th Sydney Biennale (The World May Be) Fantastic at the MCA. 18 May 2002. Image courtesy of the Artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/0b02c221-7329-43fb-a406-848248e821c7/leogallery-cang-xin-identity-exchange-series-london-policeman-2006.jpg Journal - Pain and Performance: Interviewing Cang Xin - Make it stand out Cang Xin, Identity Exchange Series: Policeman. 2006. Image courtesy of Leo Gallery, copyright of the artist. https://www.guankanjournal.art/journalessays/processing-grief-pain-and-endurance-as-a-medium-in-contemporary-chinese-art monthly 0.5 2025-02-01 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/c940774d-08f6-42fa-b6ff-024ccbc1fbd4/he+yunchang.png Journal - Processing Grief: Pain and Endurance as a Medium in Contemporary Chinese Art - Make it stand out He Yunchang’s One Rib, Photo by Erika Johanson, 2024. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/a854ef2d-0e48-4eff-9b61-5ad09c8e3880/crossing+the+energy+feild.png Journal - Processing Grief: Pain and Endurance as a Medium in Contemporary Chinese Art - Make it stand out Crossing The Energy Field, Photo courtesy of the Artist. https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/72123a5f-296c-4559-abc9-df20a6d9161f/sazi.png Journal - Processing Grief: Pain and Endurance as a Medium in Contemporary Chinese Art - Make it stand out Sazi in his Beijing apartment, Photo by Sam Beard, 2024. https://www.guankanjournal.art/journalessays/8kqvt3md7s1g21agcm0cyiez0krxgo monthly 0.5 2026-01-19 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/487951a8-e2a3-410a-a35e-782876b1e4a0/ZHANG+PEILI+%E5%BC%A0%E5%9F%B9%E5%8A%9B%2C+Expand+Constantly%2C+2000+-+Photography+by+Hamish+McIntosh+-+1+%281%29.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Fig 1. Expand Constantly (2000) Zhang Peili Photo courtesy of the Artist and the White Rabbit Gallery (2024). https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/62f26d30-a9f9-4ba0-9c12-702590243999/SHIH+YUNG-CHUN+%E6%99%82%E6%B0%B8%E9%A7%BF%2C++XSWL+Level+1+-+Photography+by+Hamish+McIntosh+-+5+%282%29.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Fig 2. XSWL Level 1 (2024) Shih Yung-Chun. Photo courtesy of the Artist and the White Rabbit Gallery (2024). https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/15953860-bbd7-4b27-bbc6-a8cc9faf2078/YU+HONG+%E5%96%BB%E7%BA%A2%2C+Half-Hundred+Mirrors%2C+2018-19+-+Photography+by+Hamish+McIntosh+-+2.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Fig 3. Half-Hundred Mirrors (2018-2019) Yu Hong Photo courtesy of the Artist and the White Rabbit Gallery (2024). https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/dffa1c75-8d42-4348-a01f-a26d67515f54/LIAO+CHIEN-CHUNG%E5%BB%96%E5%BB%BA%E5%BF%A0%2C+God+Damn+Life%2C+2008-09+-+Photography+by+Hamish+McIntosh+-+1+%282%29.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Fig 4. God Damn Life (2008-2009) Liao Chen Cheng Photo courtesy of the Artist and the White Rabbit Gallery (2024). https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/f4f158cb-8bf9-47d9-acf4-3fcc87c39dbd/SHYU+RUEY-SHIANN%E5%BE%90%E7%91%9E%E6%86%B2%2C+Between+I%2C+2012-23+-+Photography+by+Hamish+McIntosh+-+3+%281%29+%281%29.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Fig 5. Between I (2012-2023) Shyu Ruey-Shiann Image courtesy of the Artist and the White Rabbit Gallery (2024). https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/8629b4f6-4ef5-4a3e-b958-28c86e8624c6/TU+WEI-CHENG+%E6%B6%82%E7%B6%AD%E6%94%BF%2C+Happy+Valentine%27s+Day%2C+2011+-+Photography+by+Hamish+McIntosh+-+1+%281%29.jpg Journal - Laughing To Death With David Williams: An Interview on White Rabbit Gallery’s ‘XSWL’ - Make it stand out Happy Valentines Day (2011) Tu Wei-Cheng Photo courtesy of the Artist and the White Rabbit Gallery (2024). https://www.guankanjournal.art/journalessays/5ue8vlyccipy6a4dtairkcunkwl33h monthly 0.5 2025-02-01 https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/5173c668-67e0-4652-8c95-daa3ae31cf5b/massacare.png Journal - Ink, Water, Paper: Yang Jiechang’s Balance of Tradition and Innovation - Make it stand out Fig 1. 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Taking the Bull by the Horns, 2003, oil on canvas, 145 x 200 cm, ©Maria Lassnig Foundation, Courtesy Maria Lassnig Foundation https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/b6c8e7f8-d6ec-4b34-b90f-8b88b9b7448c/Maria+Lassnig%2C+Two+Ways+of+Being+%28Double+Self-Portrait%29.jpg Journal - The Loneliness of Can’t Being Alone: Lassnig and her Dual-Shadow Body - Make it stand out Figure Four. Two Ways of Being (Double Self-Portrait), 2000, oil on canvas, 100.3 x 124.7 cm, ©Maria Lassnig Foundation, Courtesy Maria Lassnig Foundation https://images.squarespace-cdn.com/content/v1/5ddb317bf6e761177a53db9f/229a5fe9-2b2e-4cfb-80c7-edc2316eeecb/Maria+Lassnig%2C+Soon+I+Will+Be+Above+the+Clouds.jpg Journal - The Loneliness of Can’t Being Alone: Lassnig and her Dual-Shadow Body - Make it stand out Figure 5. 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